誰がMaya Plisetskayaとデートしましたか？

Maya Mikhailovna Plisetskaya (Russian: Майя Михайловна Плисецкая; 20 November 1925 – 2 May 2015) was a Soviet and Russian ballet dancer, choreographer, ballet director, and actress. In post-Soviet times, she held both Lithuanian and Spanish citizenship. She danced during the Soviet era at the Bolshoi Theatre under the directorships of Leonid Lavrovsky, then of Yury Grigorovich; later she moved into direct confrontation with him. In 1960, when famed Russian ballerina Galina Ulanova retired, Plisetskaya became prima ballerina assoluta of the company.

Her early years were marked by political repression and loss. Her father, Mikhail Plisetski, a Soviet official, was arrested in 1937 and executed in 1938, during the Great Purge. Her mother, theater and silent film actress Rachel Messerer, was arrested in 1938 and imprisoned for a few years, then held in a concentration camp together with her infant son, Azari. The older children were faced with the threat of being put in an orphanage but were cared for by maternal relatives. Maya was adopted by their aunt Sulamith Messerer, and Alexander was taken into the family of their uncle Asaf Messerer; both Alexander and Azary eventually became solo dancers of the Bolshoi.

Plisetskaya studied ballet at The Bolshoi Ballet School from age nine, and she first performed at the Bolshoi Theatre when she was eleven. She studied ballet under the direction of Elizaveta Gerdt and also her aunt, Sulamith Messerer. Graduating in 1943 at the age of eighteen, she joined the Bolshoi Ballet company, quickly rising to become their leading soloist. In 1959, during the Thaw Time, she started to tour outside the country with the Bolshoi, then on her own. Her fame as a national ballerina was used to project the Soviet Union's achievements during the Cold War. Premier Nikita Khrushchev considered her to be "not only the best ballerina in the Soviet Union, but the best in the world".

As an artist, Plisetskaya had an inexhaustible interest in new roles and dance styles, and she liked to experiment on stage. As a member of the Bolshoi until 1990, she had international exposure and her skills as a dancer changed the world of ballet. She set a higher standard for ballerinas, both in terms of technical brilliance and dramatic presence. As a soloist, Plisetskaya created a number of leading roles, including Juliet in Lavrovsky's Romeo and Juliet; Phrygia in Yakobson's Spartacus (1958); in Grigorovich's ballets : Mistress of the Copper Mountain in The Stone Flower (1959); Aurora in The Sleeping Beauty (1963); Mahmene Banu in The Legend of Love (1965); Alberto Alonso's Carmen Suite (1967), choreographed especially for her; and Maurice Béjart's Isadora (1976). Among her most acclaimed roles were Kitri in Don Quixote, Odette-Odile in Swan Lake, and The Dying Swan, first danced as a pre-graduate student under the guidance of Sulamith Messerer. A fellow dancer said that her dramatic portrayal of Carmen, reportedly her favorite role, "helped confirm her as a legend, and the ballet soon took its place as a landmark in the Bolshoi repertoire". Her husband, composer Rodion Shchedrin, wrote the scores to a number of her ballets.

Having become "an international superstar" and a continuous "box office hit throughout the world", Plisetskaya was treated by the Soviet Union as a favored cultural emissary. Although she toured extensively during the same years that other prominent dancers defected, including Rudolf Nureyev, Natalia Makarova, Alexander Godunov and Mikhail Baryshnikov, Plisetskaya always refused to defect. In 1991, she published her autobiography, I, Maya Plisetskaya.

ウォーレン・ベイティ（Warren Beatty, 本名: Henry Warren Beaty, 1937年3月30日 - ）は、アメリカ合衆国バージニア州リッチモンド出身の映画監督、俳優、舞台俳優、演出家。作家、脚本家でもあり、ヘンリー・W・ベイティの名前でピアニストとしても活躍。映画プロデューサーとしても、数々のヒット作を送り出した。

長らくウォーレン・ビーティーと呼ばれてきたが、1990年『ディック・トレイシー』が公開された時に、本人からの要望で日本の配給会社が、より発音に近いウォーレン・ベイティと呼び方を変更した。ただし、ウォーレン・ビーティー時代の作品の印象が強いため、いまだにビーティーと呼ばれることが多い。日本語では「ビーティ」「ベーティ」とも表記されることがあるが、本人によると正しい発音は「ベイティ」に近いらしく、綴りにtを1つ増やしたのもビーティなどと呼ばれることを避けるためという。