誰がイダ・ルビンシュタインとデートしましたか？

イダ・リヴォヴナ・ルビンシュタイン（ルビンシュテイン、またはルビンシテイン。露: И́да Льво́вна Рубинште́йн, 仏: Ida Lvovna Rubinstein 、1885年10月5日-1960年9月20日）はロシア出身のフランスのバレリーナ、役者。あまりに晩学だったためバレリーナとしては一流と見なされておらず、強いロシア語なまりのために役者としても中途半端であったが、舞台上での存在感や演技力は際立っており、エキゾチックで両性具有的な容姿に多くの人々が魅了された。ベルエポックの美意識を象徴する美女として、また、当時の芸術家たちのパトロンとして知られており、ラヴェル作曲の『ボレロ』など、いくつかの作品が彼女の委嘱によって生み出された。

Romaine Brooks (born Beatrice Romaine Goddard; May 1, 1874 – December 7, 1970) was an American painter who worked mostly in Paris and Capri. She specialized in portraiture and used a subdued tonal palette keyed to the color gray. Brooks ignored contemporary artistic trends such as Cubism and Fauvism, drawing on her own original aesthetic inspired by the works of Charles Conder, Walter Sickert, and James McNeill Whistler. Her subjects ranged from anonymous models to titled aristocrats. She is best known for her images of women in androgynous or masculine dress, including her self-portrait of 1923, which is her most widely reproduced work.

Although her family was wealthy, Brooks had an unhappy childhood after her alcoholic father abandoned the family; her mother was emotionally abusive and her brother mentally ill. By her own account, her childhood cast a shadow over her whole life. She spent several years in Italy and France as a poor art student, then inherited a fortune upon her mother's death in 1902. Wealth gave her the freedom to choose her own subjects. She often painted people close to her, such as the Italian writer and politician Gabriele D'Annunzio, the Russian dancer Ida Rubinstein, and her partner of more than 50 years, the writer Natalie Barney.

Although she lived until 1970, it is erroneously believed that she painted very little after 1925 despite evidence to the contrary. She made a series of drawings during the 1930s, using an "unpremeditated" techniques predating automatic drawing. She spent time in New York City in the mid 1930s, completing portraits of Carl Van Vechten and Muriel Draper. Many of her works are unaccounted for, but photographic reproductions attest to her ongoing artwork. It is thought to have culminated in her 1961 portrait of Duke Uberto Strozzi.